Modification du lecteur ou du dossier de destination pour les films et les photos. Vous ne pouvez pas lire le disque sur des lecteurs DVD ordinaires p. Consultez le Manuel de PMB concernant le fonctionnement p. Sens du signal. Pour masquer les indicateurs comme le compteur, etc. Appuyez sur [OUI]. Touche HOME. Le bas de la touche devient orange.
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Printed in Japan. Ne mouillez pas la batterie. Lecture de films et de photos p. Fixez la sangle. Consultez la page 50 du « Guide pratique de Handycam ».
Cliquez sur [Installer]. FR Cliquez sur [Continuer]. Importation de films et de photos sur un ordinateur Easy PC Back-up p. Consultez la page 27 pour voir les types de disque que vous pouvez utiliser. Si un logiciel autre que « PMB » se lance automatiquement, fermez-le. Consultez la page 28 pour voir les types de disque que vous pouvez utiliser.
Si un logiciel se lance automatiquement, fermez-le. Vous ne pouvez pas enregistrer de photos sur un disque. Vous ne pouvez pas copier vers un disque Blu-ray. Vous pouvez enregistrer des images dans des endroits sombres. Option de menu Onglet FR Permet de scinder des films. The HDR-TG1 did score better than the Canon HF in noise, but the HF has a variety of recording options that can drastically improve both color accuracy and noise levels something that makes it difficult to directly compare to the competition.
The third stage of low light performance testing analyzes sensitivity. We attach the camcorder to a waveform monitor as we slowly lower the light in small, steady increments. The waveform monitor measures exposure in IREs, which is the standard measurement used in broadcasting.
We lower the light until the camcorder is generating a peak of 50 IRE. Interestingly, because the HDR-TG1 has a smaller concentration of pixels on its sensor, it actually outperformed the other Sonys in low light sensitivity. The Canon HF required slightly less light, needing 11 lux to produce 50 IRE although the Canon had much better sensitivity when recording in 24P mode.
Overall, it is clear that Sony wasn't able to squeeze as much low light performance into the HDR-TG1 as it could with its larger camcorders. Nevertheless, the camcorder did put up a worthy fight against some of the toughest competition in the HD market, as well as producing the best images and test results we have seen from a camcorder of its size. We tested the camcorder's ability to reduce shake in our lab using our specialized device.
This is slightly narrower than most camcorders we measure, but still wide enough to accommodate most shooters. If you want to maximize the portability of your camcorder, it would be a wise decision to purchase more or higher capacity MemoryStick Pro Duo cards—otherwise you'll need to have a computer, DVD burner, or storage device handy to constantly dump your footage.
The MemoryStick compartment is behind the same flip door as the battery on the camcorder's back side. One unfortunate condition with this placement is that the card cannot be removed or replaced while the camcorder rests in its docking station as the design of the dock doesn't give room for the door to flip open.
More pieces of consumer editing software are beginning to work smoothly with AVCHD footage, but it isn't compatible with everything. Check the specs of your editing software before you purchase any camcorder that uses AVCHD compression. Even if you have compatible software, editing with AVCHD can be a difficult, power-hungry process for many computers. With older computers or those with insufficient hardware, editing may quickly go from being an enjoyable hobby to an aggravating, time-consuming chore.
The HDR-TG1 comes packaged with Picture Motion Browser software—a little program that assists with importing footage and allows for some basic editing. The software is not supported on Mac OS. The Sony HDR-TG1 is the kind of camera you want to pull out of your purse or pocket in time to catch candid moments before it's too late. It isn't suited for professional productions where levels and adjustments must be finely tuned and perfectly calibrated.
That being said, most users will find absolute comfort with Sony's automatic controls. Pushing the Easy button found in the camcorder's LCD cavity puts the HDR-TG1 into a completely automatic setting—only allowing the user to point, shoot, and adjust the zoom. The auto exposure performed admirably, often taking less than a second to adjust to even intense changes in lighting conditions. The HDR-TG1 often tended to over-expose in high-contrast lighting situations like a car driving in front of the camcorder on a very bright day.
The auto white balance worked very well outside, but ran into problems with indoor lighting. Shooting outside, in bright light, the camcorder immediately adjusted the balance settings to produce soft colors with the intense light. Under various indoor lighting conditions the camcorder had a number of difficulties. Incandescent lighting gave the image an expected orange hue and fluorescent lighting produced substantial color discrepancies. Overall, if color is very important to you and you do a lot of indoor shooting, it would be very helpful to learn how to manually light balance the HDR-TG1.
In bright and moderately lit areas the autofocus feature performed very well. Most images came into focus in less than 2 seconds. We found numerous instances where focusing took from seconds. The HDR-TG1 will run into some problems trying to capture crisp images during a night of clubbing or in dark street scenes.
To utilize some of the camcorder's more specialized automatic features, you must turn off the Easy setting and rejoin the realm of manual mode. When the Easy setting is off you can explore the one-touch scene selection features that automatically tailor the camcorder's settings to a specific scenario. Other automatic features include Spot Focus and Spot Meter.
Both display a large frame around the screen when activated. Simply press the part of the screen you want to focus or expose and the camcorder will automatically adjust the settings accordingly.
These two settings, while boosting low light performance significantly, will distort and blur any motion that comes into frame. Auto Slow Shutter is often workable although the choppiness of motion is absolutely visible , but Color Slow Shutter blurs motion so intensely that it is barely worth using. If you're someone who likes manipulating specific controls while you record video, this is not the camcorder for you.
Touching your way through the convoluted menu system on the small, 2. Most users will likely stick to the automatic controls out of sheer annoyance with the touch screen system. The interface also makes fine adjustments excruciatingly difficult, as buttons and icons not to mention your fingers clutter the screen and get in the way of the image you're attempting to focus or expose correctly. The extra half-inch of space does make using the touch screen interface more bearable.
That being said, the HDR-TG1 does allow you to adjust a variety of manual controls, which is better than ignoring the option all together. The manual controls are all accessed via the touchscreen menu on the camcorder's LCD screen. Most options are found in the Camera Menu in the lower right corner—things like focus, exposure, white balance, and effects. Some controls are also found in the Movie Settings menu, which is hidden inside the first tab of the Home Menu in the upper left corner.
Here you'll find record mode options, steadyshot, digital zoom settings, face detection, and numerous others. Others, however, may feel liberated by the unique, strapless construction the camcorder brings to the table. The camcorder ships with a wrist strap that can be attached to the base of the camcorder, although the strap doesn't really provide any safety or support.
Hoisting the HDR-TG1 around by the wrist strap is an accident waiting to happen; it forces the product to dangle like a worm at the end of a fishing line.
The rectangular frame of the HDR-TG1, while allowing for pocket-sized portability, can be a real nuisance when gripping the camcorder. The smooth and sleek design, with no presence of ridges, curves, or grips makes it difficult to get a firm hold on the body. Also, the fact that the lens just barely extends out from the base of the camcorder making it almost a perfectly smooth rectangle leaves the user with nothing to rest their hand on while shooting.
This curvature, in addition to the camcorder's extremely narrow base, makes it very difficult to stand upright on its own. The only way we could get it to work was by rotating the LCD screen degrees and tucking it back into the body. Even with this option, the camcorder was extremely wobbly. At first impression, the HDR-TG1 feels a bit heavy in comparison to its size, but this extra weight actually makes it easier to control the camcorder steadily by hand.
Sony makes a big deal about the HDR-TG1 being crafted from 'high-quality pure titanium' in an effort to reduce the scratchiness of the surface. The body does feel solid and the coating is definitely more scratch-resistant than the hard plastic most camcorders are covered in. The lack of shiny surfaces also limits the amount of fingerprints present on the camcorder with the notable exception of the LCD touch screen.
If you carry the HDR-TG1 around in your pocket all day, with keys and coins jostling up next to it, it will get nicked and worn eventually. Fingerprints, while they are more difficult to notice, do appear on some of the shinier parts of the camcorder as well as the darker portions of the body. Also, after 20 minutes of straight use the right side of the camcorder started feeling warm to the touch.
Prolonged use didn't make the camcorder any hotter, but it maintained a consistent warmth until it was turned off. Accessing all the manual video and photo controls through the touch screen is definitely a time consuming annoyance, but at least the camcorder allows the possibility of control and adjustment.
Controls are often embedded and difficult to find making navigation through the menu system very difficult for unfamiliar users. The first menu is the Camera Menu which houses all the manual controls that determine image quality, produce effects, and manipulate audio.
The Home Menu, which is accessed by pressing the small button in the upper left corner with an image of a house on it, controls more of the camcorder's settings and internal workings. There is an abundance of settings compiled in these menus so navigation can be extremely difficult. The HDR-TG1 is not something you can just slip into your pocket and forget about; it's heavy and bulky enough to constantly remind you where it is.
However, these two camcorders shouldn't even be in the same conversation; the HDR-TG1 is capable of producing video and images that Pure Digital couldn't even dream of. This adapter allows you to forget about the docking station when it comes to connecting the camcorder to a computer.
Now you don't need to bring the docking station with you on your vacation or trip. The adapter, while still not as good as having an actual USB port on the body of the camcorder, is a good move by Sony.
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